
We practiced primitive 3D forms in an earlier chapter. These are functional building blocks for constructing more complex three-dimensional forms. But they become even more powerful if you allow yourself to manipulate the forms further, and that is what this practice session is about.
The form manipulations that will be discussed in this chapter are:
Stretching, squeezing:

Twisting:

Bending:

Adding:

Subtracting:

Here are some examples that show why it is helpful to manipulate forms: The chassis of a car can be simplified to two boxes stacked on top of each other, with two cylinders subtracted from the bottom box. A box can be twisted, and that can be the basis for a torso in a dynamic pose.
When stretching or squeezing a form, it is important to remember that the volume typically stays the same; it is just distributed differently. That means that if you stretch it, it becomes narrow in the middle, and if you squeeze it, it becomes thicker.
Follow the link below, and practice stretching and squeezing primitive 3D forms by drawing them from observation using the stretched and squeezed 3D models for reference.

Draw a box twisted from observation using a 3D model for reference. Here is a demonstration that shows how to do that:

Follow the link below and practice drawing a twisted box from observation.

Follow the link below and practice drawing bent primitive 3D forms from observation.

Adding forms leads to interlocking forms. This can be useful for anatomy. For example, Bridgman’s anatomy books contain many sketches where he uses interlocking forms to invent anatomy.
Follow the link below and practice drawing these interlocking primitive 3D forms from observation.

An example of the use of interlocking forms for Bridgman can be found in the Bridgman 3D model drawing demonstration here:

Subtracting is about removing one form from another form. This can be particularly useful when drawing man-made forms. In the earlier example, a car chassis was constructed by adding two boxes and subtracting two cylinders from the bottom box.
Follow the link below and practice drawing subtracted primitive 3D forms from observation.

You can also use the Gridspective tool to experiment with adding and subtracting boxes from each other.

Try it out yourself. It is highly enlightening and helps understand the mechanisms behind adding and subtracting without having to go through the tedious steps of drawing perspective grids and following them.

Now that you have practiced drawing primitive 3D forms from observation and hopefully have a sense of what they typically look like, try to do the same from imagination. Choose one of the manipulation types and primitive 3D forms to try it on, and try to do it from imagination.
Now we can apply all we learned to construct more complex forms from simpler primitive forms and their manipulated versions.
Look around you and break down objects into primitive forms. For example, draw tables and chairs as combinations of boxes and cylinders.
The Morning Sketches APP provides reference images, organizes everything, and schedules all the exercises in this course for you.
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