Rotate 3D models inside your browser or on your mobile. Choose from an extensive library of 3D models of props, anatomy, and primitive and manipulated forms with varied proportions unique to Practice Drawing This. Rotate the objects, move them around, and draw them. Imagine what they look like rotated, and then verify. Always have something to draw. Check it out
Timed Drawing
This is for anyone who wants to improve their drawing skills and build their visual library. Never be without photo reference to draw from again. Hundreds of images are ready to be drawn and chosen for you automatically. You determine the drawing intervals: short intervals for gesture drawings or longer intervals for more finished pieces. If you want to draw something specific, there are many categories to choose from. Check it out
Morning Sketches APP
This is for anyone who wants to improve their drawing skills and build their visual library. Practice drawing every day. Never be without a reference image to draw from. Hundreds of images are ready to be drawn. There is no need to choose an image; a sophisticated scheduler chooses one for you. Start the day with a drawing warm-up to improve pen(cil) control.
Practice drawing 3D models designed for artists. Practice drawing gestures and breaking down a reference to simplified forms. Master drawing objects rotated from imagination. Check it out
Our Discord Server
Connect with fellow artists, share your latest work, exchange feedback, share and discover other online art education resources, and grow together. Check it out
FREE Online Drawing Course!
This free course helps you build real drawing skills through quick, fun exercises that fit into even the busiest schedule. Each activity has levels from beginner to pro, so you can improve no matter where you start.
All you need is a small sketchbook, a pen, and your phone. With exercises you can do in just a few minutes, you’ll learn to draw with confidence — anywhere, anytime, and at your own pace. Check it out
A weekly writing habit that is beneficial to visual artists. A good habit is to sit once a week, maybe during the weekend, and to reflect on your plans for last week, what you did, how it went, and how to process that and come up with plans for the coming week, using what you learned. What worked, and what didn’t? What do you want to keep doing? What needs to change?
On Artificial Intelligence and other tech you should stay away from.I have resisted writing about Artificial Intelligence (AI). I had written several articles for this newsletter, but I decided against publishing them because, for one, the articles tend to amount to predicting the future, and no one can predict the future. Also, I risked cluing in the tech bros on what they were doing wrong.
The online world tempts us to show everything we make, and getting more views is the reward for publishing in volume. But for the development of artists, it is healthier to do a lot in private.
They might copy a Spiderman drawing from a comic, or they may have drawn comic pages themselves. And it probably wasn’t good yet. But they didn’t see that, didn’t notice it, and thoroughly enjoyed the process.
Try to break into industries you want to work in. But if you find reasons you can not break in and are adequately trained, you might get lucky and stumble into a lucrative new field no one else has found yet.
When it comes to beauty! Not dating! And as soon as you deviate from realism, it becomes a matter of taste. And some people will not like it as much, and some will utterly adore and be in love with it.
One thing large corporations get wrong. Don’t be replaceable. Try to create your unique way of doing things. If there is demand for it, you are not easy to replace.
Combining ideas can give surprising, highly enlightening new insights. And that is what you need to take away from the Zettelkasten methods: don’t try to come up with as many ideas as possible, but rather with as many combinations between ideas as possible.
Ten years from now, the social media landscape will have changed unrecognizably, and all the work you put into creating social media posts will be for naught. What lasts is the tangible body of work you made as you went offline. That’s when we’ll walk through museums and see all the work made by people who had the sense to stay offline and in their studios.
To share, or not to share. Depends on how an audience receives it. But that should be independent of whether you make something. That should depend on whether it pleases you.
When you practice drawing from memory, you get better at drawing things you didn’t even practice drawing this way. You also get better at drawing from observation because you get better at seeing when and why lines and shapes are off.
You, as, say, a portrait painter, may share your process and tips and tricks when painting portraits. This shows off your expertise in that area and might get people to participate in one of your portrait painting courses.